For centuries the sailors of the Royal Navy have been famous for their colourful language. Trapped aboard leaky ships and creaking vessels for months, sometimes years, on end, the crews developed a peculiar language all of their own. Veteran sailor Gerald O'Driscoll celebrated the Royal Navy's heydey and preserved its unique language in this hilarious and fascinating collection. Taking the reader from 'Acting green' all the way to 'Water-rat', A Dictionary of Naval Slang is a treasury of naval argot, jargon, lingo and cant, and a window on the lost world of living on the high seas. First published in 1943, this modern gift edition comes with a foreword by author and former Royal Navy submariner Richard Humphreys. Clampy - Nickname for the owner of very large feet. Gutzkrieg - A pain in the stomach. Rum-fiend - As the term implies, a man who is a glutton for rum. Scaly-back - A veteran; one who has been too long in the navy. Tin-eye - Nickname given to anyone who sports a monocle. Wall-flower - Scathing reference to any ship which remains moored to a dockyard wall for a long period.

Each year between 1819 and 1825, John Constable (1776-1837) submitted a monumental canvas to the Royal Academy of Arts in London for display in the annual Exhibition. These so-called six-footers vividly captured the life of the River Stour in Suffolk, where Constable grew up and where he returned to paint each year. The Leaping Horse, the last of these, now a major work in the Academy's collection, is the subject of this fascinating new book. Humphreys explores Constable's often avant-garde working methods, as well as his struggle to gain full acceptance within the art establishment of the early nineteenth century. With reproductions of his full-scale preliminary sketches as well as brand new photography of the painting itself, this book is the ideal companion for art lovers who seek a deeper appreciation of Constable's iconic depictions of the English countryside.

The work that launched the picturesque movement and changed our ways of looking at landscape forever. A witty, elegant, opinionated pilgrimage of taste. Complete with 17 aquatints drawn by Gilpin as examples of perfected landscape. Introduced by Richard Humphreys, who was Curator of Programme Research at Tate Britain and lead curator of their A Picture of Britain exhibition.

'One of the finest memoirs published in recent years.' Dan Jones 'An utterly fascinating and wonderfully detailed insight into the hidden world of the modern submarine.' James Holland A candid, visceral, and incredibly entertaining account of what it's like to live in one of the most extreme environments in the world. Imagine a world without natural light, where you can barely stand up straight for fear of knocking your head, where you have no idea of where in the world you are or what time of day it is, where you sleep in a coffin-sized bunk and sometimes eat a full roast for breakfast. Now imagine sharing that world with 140 other sweaty bodies, crammed into a 430ft x 33ft steel tube, 300ft underwater, for up to 90 days at a time, with no possibility of escape. And to top it off, a sizeable chunk of your living space is taken up by the most formidably destructive nuclear weapons history has ever known. This is the world of the submariner. This is life under pressure. As a restless and adventurous 18-year-old, Richard Humphreys joined the submarine service in 1985 and went on to serve aboard the nuclear deterrent for five years at the end of the Cold War. Nothing could have prepared him for life beneath the waves. Aside from the claustrophobia and disorientation, there were the prolonged periods of boredom, the constant dread of discovery by the Soviets, and the smorgasbord of rank odours that only a group of poorly-washed and flatulent submariners can unleash. But even in this most pressurised of environments, the consolations were unique: where else could you sit peacefully for hours listening to whale song, or... Based on first-hand experience, Under Pressure is the candid, visceral and incredibly entertaining account of what it's like to live, work, sleep, eat - and stay sane - in one of the most extreme man-made environments on the planet.

Scott's Waverley (1814), set in and around the Jacobite Rising in the Scotland of 1745-6, was the first historical novel in world literature. Innovative and humane in its plot, rich in social detail, and truly international in popularity, it not only launched a genre, but also became a landmark in literary realism, in historiography and in bookselling. In this study, Richard Humphrey traces and accounts for the text's impact on historical fiction and shows its originality in tackling the manifold issues of rebellion and warfare, separatism and union, prejudice and cultural tolerance. He sets Waverley in its social and literary context, provides detailed analysis of key portions of the text, and offers guidance on further reading.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.